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Home > Digital Focus Articles > Article > Page 1 | 2 | 3
DV Jockey
An introduction to working
with digital video software

by Christopher Simmons, executive editor
Copyright © 2001 Christopher Simmons

(Continued — 3)

In the House

Now that you've captured your clips, learned to assemble them, created transitions where appropriate, added some music and put in your titles, you have your movie. Now you want to output, or export, or "print" your movie in a form that others can see. Right now the only way somebody could watch it would be on your hard drive, on your PC monitor. So, assuming you're the home user who want to share your first movie with friends, the first thing you would do is record your movie onto a blank miniDV tape, back through the FireWire port into your DV camera. In the same way the software controlled the playback of your camera, it also can control the recording. So, when you tell the software to publish (or export, or print, etc.) your movie, it will start the record function on your camera, and send all the elements of your movie to the camera and since everything remains completely digital, the quality will be identical to what you started with.

If your PC has a built-in video card with video and audio output jacks (usually RCA jacks or S-VHS port), you can also output your movie to a normal VCR deck. You can also simply make your digital "master" to your DV camera, then hook your cam outputs to your VCR inputs and make analog VHS copies that way. If you intend to output to streaming formats, recordable CD or DVD, you will need to do many more things which require study of your software documentation.

As you can see, it's a lot easier than you may have thought to make movies on the desktop, if you want only the basics. For more elaborate output formats, DVD-mastering, or streaming Web video, you need higher-end applications than iMovie or whatever may have come with your DV camera. The great thing about all of these tools, however, is that they're a lot of fun, and a very satisfying activity when you see the finished results.

 < E N D >

DV Glossary
a short list of common DV terms

© 2001 Christopher Simmons

Alpha Channel: Information attached to each pixel that represents how that pixel is to be blended with the background.

Analog Media: The term used to refer to the media found on traditional videotape recordings (e.g., not digital).

Aspect Ratio: Proportional height and width of a video image. The NTSC standard is 4:3 (e.g., four units wide, by three units tall) for conventional home television sets, and 16:9 for HDTV.

Assemble Edit: A method for building a video project in which a series of clips are placed one after the other to create, or assemble, a program. (Also called "linear editing.")

AVI: Audio-Video Interleave. A video format for Microsoft Windows.

Capture: The process of bringing DV content into the computer for editing, writing to the hard drive where it has been "captured."

CCD (Charged Coupled Device): A light detection device used in camcorders to capture images for video. Most consumer cameras use one CCD, while professional models can have three (one for each video primary color: red, green, blue).

Chroma Key Filter: A filter that allows for a selected color in a clip to be made transparent. It is generally used to superimpose one clip on another, and used in conjunction with a blue- or green-screen.

Chrominance: The part of the video signal that contains the color information.

Clip: A media file that contains audio, video, or a still image.

Component Video: A signal the keeps luminance and chrominance separate for better picture quality.

Composite Video: A video signal with luminance and chrominance in a single signal. Composite video is the standard TV signal.

Compression: Reduces the size of a data file in order to conserve file storage space or decrease file transfer time. MPEG is a file format that uses compression algorithms to reduce the size of video.

DV Format: Digital video format. Common formats such as Hi8, VHS, and SVHS are analog formats. DV differs from analog formats because it stores all information in a digital form. Analog is an electronic signal that loses strength every time the video is copied from one medium to another. When you capture video to your computer, edit it, then export it back to tape, you retain the quality of the original.

Fade: The gradual diminishing or heightening of a picture to create a scene transition. As in "fade out."

FireWire: Also known as i.LINK, and IEEE 1394. An industry standard digital interface that allows for 2-way communication a digital camcorder and a compatible personal computer. This standard was developed by Apple.

Luminance: The part of the video signal that contains the black and white information.

Mini DV (Mini Digital Videocassette): A consumer digital recording format that records video digitally, producing better picture quality than analog video. It offers 16-bit, CD-quality sound.

Mini DV Tape: Metal Evaporated Particle 1/12th the size of a VHS tape.

NTSC (National Television Standards Committee): The broadcast standard used in the United States, Canada, Japan, Central America and much of South America. The standard (non HDTV) pixel size of NTSC is 640x480 and 525 lines of resolution.

PCM (Pulse Code Modulation) Audio: Used in most DV camcorders. Stereo quality audio that allows the user to record in either 12-bit or 16-bit audio. In 12-bit, 2 sets of stereo audio tracks are available so a second audio track can easily be added. In 16-bit, only one set of stereo audio tracks is available for recording.

Pixel: The smallest individual dot in a digital display. The greater the number of pixels, the higher the image quality. A megapixel would be any resolution of 1,000 x 1,000 pixels or higher.

Pre-roll: Rewinding the tape in your camcorder to a few seconds before the point at which you intend to start capturing.

QuickTime: The standard video format for Macintosh.

Scrub: To play through an audio or video clip interactively (under manual control) to evaluate scenes and/or locate a specific event.

S-Video: A method of separating the chrominance and luminance portions of a video signal to produce higher quality video. Also used with DV cameras to connect to analog devices (like a VCR) for copying.

Time Line: The graphic representation of a project displayed in the editing/assembling window.

Title Safe Area: The standard area of a video frame in which text can be seen on a TV screen.

Transition: A blending of frames between two clips that smoothes out a simple cut, such as a fade in/out, or dissolve.


Also see: Streaming Video Glossary

Resources

Adobe After Effects 5.0 - www.adobe.com
Adobe Premiere 6.0 - www.adobe.com
Apple Final Cut Pro 2 - www.apple.com
Apple iMovie 2 - www.apple.com
AutoDesk/Discreet CineStream - www.autodesk.com*
AutoDesk/Discreet Cleaner - www.autodesk.com*
Avid Express DV - www.avid.com
Ulead VideoStudio 5 DVD Edition - www.ulead.com

*Shortly after this article was completed, Media100 sold the Cinestream and Media Cleaner product line to AutoDesk/Discreet.

Find current pricing for these products:
Find Software Applications and How-to Books in this topic at AMAZON.COM

Find books about DV editing:

Amazon.com

Information believed accurate at time of writing but is not guaranteed, and is subject to change by the manufacturer.


< Previous Page

Home > Digital Focus Articles > Article > Page 1 | 2 | 3

Christopher Simmons has been editing video on the desktop since the days of the Mac Quadra840AV, and made many 8mm home movies as a youngster. Growing up, his heroes included Alfred Hitchcock and Ray Harryhausen. He is currently the president of Neotrope, which offers brand marketing as well as video capture and conversion to streaming formats. E-mail him at cs@digitalauthor.com. A shorter version of this article appeared in the August 2001 edition of Digital Imaging magazine.

NOTICE: All content on this site is protected by U.S. and international copyright laws. By viewing this content, you agree to be bound by our Terms of Use. Reproduction, redistribution, or derivitive works in any form is strictly prohibited. Copyright © 1995-2002 Christopher Simmons — All Rights Reserved.
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